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Olympian Goddess

Hestia

Possible representation of Hestia on the Siphnian Treasury

Possible representation of Hestia on the Siphnian Treasury in Delphi (6th century BCE)

National Archaeological MuseumDelphi / Chabe01CC BY-SA 4.0

Overview

Hestia was the Greek goddess of the hearth and home and ruler of the domestic sphere. She was a child of the Titans Cronus and Rhea and thus the sister of ZeusHeraPoseidonDemeterand Hades. Like her siblingsshe was sometimes worshipped as one of the Twelve Olympians

Hestia was symbolized by the hearthwhich burned in every Greek home as well as in many public buildings. A dutiful and inconspicuous deityshe embodied the Greek ideal of feminine modesty.

Key Facts

What were Hestia’s attributes?

Hestia’s principal attribute was the hearth with which she was so intimately associated. The goddess herself was typically represented wearing a veil and robe. In some imagesshe held a flowering branch or kettle as well.

Possible representation of Hestia on the Siphnian Treasury

Possible representation of Hestia on the Siphnian Treasury in Delphi (6th century BCE)

National Archaeological MuseumDelphi / Chabe01CC BY-SA 4.0

How was Hestia worshipped?

Hestia had very few temples in the ancient world. Howeverbecause she was the goddess of the hearthevery single hearth—both those in private homes and in public buildings—could be considered a sanctuary to Hestia.

The cult of Hestia was closely associated with an eternal flame that was kept forever burning at a public sanctuary. (There was also an eternal flame in Rome at the temple of VestaHestia’s Roman counterpart.)

Roman Fragments with Statue of Hestia by Georg Christoph Eimmart II

Roman Fragments with Statue of Hestia by Georg Christoph Eimmart II (1675 or earlier)

RijksmuseumPublic Domain

Hestia and Priapus

Hestia had virtually no mythology of her own. Howeverthe Roman poet Ovid recounted one story in which the vegetation god Priapus tried to rape the virgin Hestia. Finding Hestia sleeping in the woodsPriapus approached her stealthily with the intention of having his way with her. But a donkey suddenly brayed nearbywaking the goddess.

When the other gods learned of Priapus’ intentionsthey banished him from their gatherings. He was sent to live in the forest with the woodland godsfar from Mount Olympus.

Autumn in the Guise of Priapus by Pietro Bernini assisted by Gian Lorenzo Bernini

Autumn in the Guise of Priapus by Pietro Bernini assisted by Gian Lorenzo Bernini (1616–1617)

The Metropolitan Museum of ArtPublic Domain

Etymology

The Greek word hestia means “hearth” or “fireplace.” As the central meeting place within the houseas well as the location of the sacrifices made in Hestia’s honorthe hearth was an apt symbol for the domestic goddess.

The etymology of the word hestia remains somewhat obscure. Some have traced it to the Proto-Indo-European roots *wes (“burn”) and *h₂wes- (“dwellpass the nightstay”).[1] Others have suggested connections between Hestia’s name and other words for “hearth,” including eschara in Greek and jestěja in Slavicbut these derivations are not generally accepted today.[2] According to Robert S. P. Beekesthe etymology of Hestia is most likely pre-Greek.[3]

It should be noted that the name “Vesta,” the virginal Roman goddess who served as Hestia’s mythological counterpartis derived from the same etymological root.

Epithets

Hestia was not showered with as many epithets as the other Olympian gods. The Homeric epicsprobably the best source for poetic epithets in Greek literaturedo not contain any references to the goddess Hestia (and so obviously do not give us any epithets for her). In some later sourcesHestia did have a handful of epithetsamong them basileia (“queen”)chloomorphos (“verdant”)and aidios (“eternal”).

Attributes

Hestia was the goddess of the hearth and household. Revered in both the private and public spheresshe was symbolized in the hearth of each individual household but also at the community hearth located in the prytaneuma public building found at the center of each Greek polis

Hestia was usually represented as a modestly veiled woman wearing a long robe. In artshe was sometimes shown holding a flowering branch or a kettle. Her chief attribute was the hearth or hearth fire for which she was named. In factshe often appeared in these forms rather than as a human.

Kylix Hestia 5th century BCE

5th century BCE kylix representing Hestia holding a flowering branch.

Wikimedia CommonsPublic Domain

Family

Hestia was the firstborn child of the Titans Cronus and Rhearulers of the cosmos before the Olympians; her siblings included DemeterHeraHadesPoseidonand Zeus.[4]

Hestia was not only the eldest child but also the first to be swallowed by the tyrannical Cronuswho was convinced that his children would overthrow him. When Zeus forced his father to regurgitate his brothers and sistersHestia was the last to emergemaking her both the first to be born and the last to be reborn.

As a virgin goddessHestia had no children.

Family Tree

Mythology

Details about Hestia are scarcemaking her personalitychief attributesand mythology difficult to determine. The Homeric Hymnsreligious poems written in honor of the Greek gods between the seventh and sixth centuries BCEgive us only a fleeting impression of the goddess.

The twenty-fourth Hymnfor exampleaddresses Hestia as “you who tend the holy house of the lord Apollothe Far-shooter at goodly Pythowith soft oil dripping ever from your locks.”[5] In the twenty-ninth HymnHestia is said to reside “in the high dwellings of allboth deathless gods and men who walk on earth.”[6]

A somewhat more substantial story is found in the fifth Homeric Hymnwhich is dedicated to Aphrodite. HereHestiaa chaste virginis contrasted to Aphroditethe promiscuous goddess of love and sexual pleasure. In shortHestia becomes a kind of anti-Aphrodite. So committed was the goddess of the hearth to her virginityin factthat she once rejected two of the most eligible suitors in the cosmosPoseidon and Apollowhen they came to ask for her hand in marriage:

Hestia and the Olympians

The most modesttranquiland industrious of the godsHestia rarely appeared in the ribald and raucous stories typical of Greek mythology. Insteadshe dutifully observed her role in the domestic sphere.

Some scholars doubt whether Hestia even belonged to the official pantheon of the Twelve Olympiansas she and Dionysus often exchanged the honor of filling the twelfth slot. On the east frieze of the Parthenona huge temple of Athena on the Athenian AcropolisDionysus is depicted among the Olympianswhile Hestia is nowhere to be found. On the other handthe altar of the Twelve Olympians—alsoincidentallyin the city of Athens—included Hestia but not Dionysus.

For someDionysus’ presence among the Twelve Olympians is yet another sign of Hestia’s peaceful and generous nature: she may have given up her seat to the younger Dionysus in order to prevent conflict among the gods. It should be notedhoweverthat no such myth existed in antiquity (as far as we can tell)—it is a modern fiction posing as an ancient one. It remains unclear how the ancients coped with the rival claims of two different gods for the title of twelfth Olympian.[9]

Hestia and the Greeks

Hestia’s domesticity tells us much about what was expected of Greek mothers as the matrons of the household. Classical Greece was a deeply patriarchal societywhere only men enjoyed the benefits of public life in the polis. Womenin contrastwere deprived of these rights and privileges and instead confined to the domestic sphere. Dutifulobedientand inconspicuousHestia embodied the Greek ideals of motherhood and womanhood.

Worship

Though rarely remembered todaythe cult of Hestia thrived in its time. Hestia was the first to be addressed in every prayer and received the first share of every sacrifice.[10] In the domestic sphereher worship was centered around the hearthitself the focal point of each home. 

In the public sphereHestia was honored in community buildings such as the prytaneum. Every Greek city had a prytaneumwhich housed the community hearth of Hestia and her cult statue. The structure was used for sacrifices to the goddess but also for various official functionssuch as housing guests and ambassadors. Hestia also had a hearth in each city’s Boulethe City Council.

Whether in a private household or a public buildingHestia’s hearth guaranteed protection and was often used as asylum by suppliants.

Because every hearth was effectively a sanctuary of Hestiathere were few separate temples dedicated to her in the Greek world. One exception was the city of Hermionewhich did have a temple of Hestia; howeverit was unusual in that it contained no cult image or statue of her.[11] Interestinglythis was not true of Hestia’s Roman equivalentVestawho had a very important temple in the heart of Rome.

Hestia was commonly associated with the “eternal flame,” a sacred fire that burned for her and was never allowed to be extinguished. Whenever a Greek city founded a colonythe settlers would bring fire from their mother city’s eternal flame to burn in their new settlement. The Romans also observed this practice in connection with their goddess Vesta.

Hestia was sometimes also celebrated and invoked with sacrifices of various foods and animalssuch as young cows.

Pop Culture

Hestia has been featured in several pop culture depictions of Greek mythology. In the Percy Jackson and the Olympians seriesshe appears as a humble and dutiful goddess who is above the petty politics of the other deities. In the Xena and Hercules television seriesher likeness appears in the Cave of Hestiathough she herself does not. In the same seriesa religious group known as the Hestian Virgins appears regularly.